For their second album, underwent a telling change in persona, from the flyaway-haired, overall-clad everygirls of into a sleeker and glammier look. Similarly, the album has a much more polished feel than the occasionally scattershot debut, which is not always a good thing; sticking with and to produce the whole thing (the duo had shared production duties with three others on the debut), traded their early tropical-tinged playfulness and ironic overtones for a more commercial sound that scored well on the charts (the terrific opener 'Cruel Summer' was a worldwide hit, and several other tracks were U.K. Hits) but was less unique than before.
For the first time since their original release in the 1980s London Recordings are making the band’s first six albums available on vinyl with initial pressings on limited edition coloured vinyl.
What's most unusual about is the content of the songs. Lyrically, the album is surprisingly serious, with topics ranging from sectarian violence in Ireland ('Rough Justice') to domestic violence ('King of the Jungle') to drug use ('Hot Line to Heaven'), none of which are in keeping with the trio's frothy image. Indeed, under the singalong chorus, the album's best track, 'Robert de Niro's Waiting,' turns out to be the traumatized musings of a teenage rape victim, set to an improbably dreamy, carefree melody. Even comparatively light songs like 'State I'm In' and 'Dream Baby' have an oddly paranoid tone to them. Of course, the detour into mature themes didn't last long, as the group's next album introduced the chart-bound frivolity of into the picture, but in an intriguing and often excellent side trip.
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Important discographical curiosity: original U.S. Copies of included an extended seven-minute take of 'Hot Line to Heaven.'
Download game pes 7 tieng viet. After the fall 1984 release of the single 'The Wild Life' (the theme to 's second movie), U.S. Copies of were altered to include the new single at the start of side two, followed by the superior single edit of 'Hot Line to Heaven.'
'Venus' had been a part of Bananarama's repertoire for several years before they actually recorded it. The team's three members, Sara Dallin, Siobhan Fahey, and Keren Woodward, had the idea of turning the song into a dance music tune, but they were met with resistance from their producers at the time, Steve Jolley and Tony Swain.
Bananarama brought the idea to the production trio of Stock Aitken Waterman, and it became Bananarama's first collaboration with them. Dallin, Fahey, and Woodward had nearly completed recording their third album, titled True Confess.
Bananarama is a British Pop/Hi-NRG/Dance duo of singer-songwriters, formerly a trio, that formed in London, United Kingdom in 1981. Originally formed by members are Sarah Dallin, Siobhan Fahey and Keren Woodward.
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Early successful singles were collaborations with. They built their success on albums released during the 80's, with their most successful being the album. Guinness Book of World Records listed Bananarama as the most successful British girl group in history.
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They still hold the record for the most chart entries in the UK by a girl group.